PremiereRevival

Gods and Dogs

Summary

Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Gods and Dogs / Angels’ Atlas
Choreographies by _Jiří Kylián_ and _Crystal Pite_
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite
Choreographies by Jiří Kylián and Crystal Pite

The confrontation of the individual with reality and their attempts to overcome or avoid difficulties are key themes in Jiří Kylián's work. Gods and Dogs (2008) explores this thought process by reflecting on the way we dress and the underlying motives that lead us to prefer one garment over another: «We spend our whole lives wearing clothes like masks and changing and altering them depending on the circumstances and how others see us.» Jiří Kylián shares the fascination he feels for the behavior of the individual through dance, staging the human attempt to find their place in a society that is difficult to describe clearly.

Canadian dancer Crystal Pite was a member of the Ballet British Columbia and the Frankfurt Ballet under the direction of William Forsythe. She made her debut as a choreographer in 1990 with the Ballet BC. Since then, she has developed more than fifty dance pieces for the Ballet de l’Opéra de Paris, the Royal Ballet, the Nederlands Dans Theater, the Cullberg Ballet and Ballet Frankfurt, among others. Her exhilarating, unconventional work has won numerous international awards. Angels’ Atlas was created by Crystal Pite for the National Ballet of Canada in 2020. It unfolds n front of a constantly changing light installation – a vast, unrecognisable landscape of light and matter. Against this fantastical backdrop, dancing bodies become a sign of human transience as well as vitality.

Videos / Trailer

Dates

2025
2025








2026
2026
 
Info

Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:00 pm
1 h 26 min incl. one intermission
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
9.5 – 17
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
9.5 – 17
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
12.5 – 34
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:00 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
14.5 – 87
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
3:00 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:00 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
14.5 – 87
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
3:00 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:00 pm
1 h 26 min incl. one intermission
10 – 69
Introduction 45 minutes before curtain.
Staatsoper Unter den Linden
7:30 pm
1 h 26 min incl. one intermission
14.5 – 87
Introduction 45 minutes before curtain.
Family performance & workshop

13.00

5

Children and young people under 18 years old pay €10 for family performances in all seats.

In advance, children and young people can prepare for the ballet visit with their parents by participating in workshops, which include an age-appropriate introduction to the performance, learning about the storyline, getting to know the characters, and dancing short scenes from the piece. The workshops take place two hours before curtain.

 
Registration required

Tel: 030 34 384-166
E-mail: contact@tanz-ist-klasse.de