Olga Pavluk

Olga Pavluk studied set design and technology at the Moscow Art Theatre School. From 2009 to 2023, she worked at the Bolshoi Theatre of Russia as a technical designer.

In 2015, she served as Technical Director of the National Exposition of the Russian Federation at the XIII Prague Quadriennale. She is a lecturer in set technology at the Moscow Art Theatre School and the British Higher School of Art and Design, and a member of the International Organization of Scenographers, Theatre Architects and Technicians (OISTAT).

Her recent work includes Hamlet/Fantômes (2025, Théâtre du Châtelet, Paris), Boris Godunov (2025, Dutch National Opera & Ballet), Don Giovanni (2025, Komische Oper Berlin), Das Leben mit einem Idioten (2024, Opernhaus Zürich), Don Carlo (2024, Wiener Staatsoper), Figaro (2024, Komische Oper Berlin), Lohengrin (2023, Opéra Bastille), The Black Monk (2022, Festival d’Avignon), Der Freischütz (Dutch National Opera & Ballet), The Black Monk (Thalia Theater / Gogol Center, Hamburg–Moscow), Die Nase (2021, Bayerische Staatsoper), Parsifal (Wiener Staatsoper), Decameron (2020, Deutsches Theater Berlin / Gogol Center Moscow), and Nabucco (2019, Staatsoper Hamburg).